Meet the Artist

In the beginning...
I fell in love with pottery during my first college ceramics class in the spring of 1993, but the desire to "play in the mud" must have existed since childhood, as there are photos of me as a little girl covered from head to toe with mud after enjoying an afternoon of sliding on the mound of dirt in my backyard.
I graduated from Bethel College with a BA in studio art in 1996, and began taking the first small steps toward becoming a working artist. I created my first Celtic works in 1999 and focused on that unique style until 2012. Recently, I have begun working with a wider range of geometric, floral, and ethnic designs, incorporating bright colors through the use of underglazes. While I still enjoy working with Celtic knots and spirals, I'm excited to see the direction this new work will lead me.
Artist Statement
Much of my inspiration comes from the metalwork and illuminated manuscripts of ancient and medieval Ireland and Scotland. This Celtic style of ornamentation appeals to me in both a visual and spiritual way, and I admire the way the Celts of old blended the spiritual with the mundane.
I find the abstract, geometric nature of Celtic ornamentation to have a meditative quality, and while we don't really know what the original designs may have meant, interlacing knotwork has come to symbolize an interconnectedness of life. For me, the designs are equally a decorative element and an expression of my faith, connecting me to the world past and present.
With my candle globes and lamps, I am combining the Celtic ornamentation of my other pottery with the idea of illumination, both in a figurative and literal sense. I think of Christ's instructions to "let your light shine," and hope the light of my work will touch whoever uses my pottery and help them find the sacred within life's daily routines.
I use a grid system to aid in the initial layout of the interlaced knotwork, and a compass for the exterior boundary of some spirals, but I do not use any templates or moulds when sketching my designs directly onto the leather-hard porcelain. Once the design is established, then I carve in deeper relief with a variety of sgraffito and loop tools, and a small pointed knife for pierced work. Some pieces are then finished with a single glaze that will break and highlight the carved lines of my work or with a combination of a clear glaze and a sprayed glaze to create a gradation of color. Other pieces are inlaid with black slip to emphasis the line work or colored with underglazes to reflect the colorful nature of the manuscripts that inspire my work.
Education
1996 | Bachelor of Arts in studio art;
Bethel College, St. Paul, MN |
Awards/Honors
2012 | 1st place Competitive Juried Entry; "God's Greatness
in Small Things" - Twelfth Annual Art Exhibition
Central Baptist Church, St. Paul, MN |
2002 | 1st place Traditional Category; 2002 Celtic Art
Exhibtion & Contest
Gallery O, Dallas, TX |
Exhibitions
Publications
- Hibberd, Susan. "You shall have a fishy..." Kent, UK: Butterfly Cottage Publishing, 2011. 90-91
- 2011 Potters Council Calendar - Mug Collection, August
- Crafts insight: Ceramics, The Crafts Report, April 2004, 19
- 2004 Clay Lover's Calendar, February & September
Professional Affiliations
There are numerous organizations for artists and potters that work toward promoting the arts. The following are organizations of which I am currently or have previously been a member. The years of my membership are in parenthesis.
- ACC - American Craft Council (2001 - 2004; 2011 - Present)
- COPA - Corcoran & Powderhorn Artists (2017 - Present)
- Potters Council (2001 - 2013)
- MNWCA - Minnesota Women Ceramic Artists (2009 - 2010)
- CIVA - Christians in the Visual Arts (1998 - 2005)
- MCC - Minnesota Crafts Council (1999 - 2004)
- NEMAA - Northeast Minneapolis Arts Association (2002)
Patty's Pottery
by Patty Rau
Minneapolis, MN
thropots@prrpots.com
Copyright © 1999-2022 Patty's Pottery. All rights reserved.